BALU MAHENDRA MOVIE
This list of every movie that Balu Mahendra has directed can be sorted for specific information such as what genre the Balu Mahendra movie is and which actors starred in the Balu Mahendra film.Re-rank this list, then share it on Facebook, Tumblr or Twitter. If you're wanting to get into Balu Mahendra films, then this list is a great starting point for at least starting with the most decent Balu Mahendra works.Īll Balu Mahendra director credits are included. This list also answers questions like “what are the all-time best movies directed by Balu Mahendra?” and “what's a good selection of good Balu Mahendra movies?”
If you’re wondering “what movies did Balu Mahendra direct?” or “who is Balu Mahendra?” then this list will explain how most people know this director. Movies on this list include Un Kannil Neer Vazhindal and Moondram Pirai. If you think the greatest Balu Mahendra movie isn't as high as it should be on this list, then make sure to vote so that your opinion of what the top Balu Mahendra film is can be factored into this list.įrom Balu Mahendra's studio films to Balu Mahendra's independent films, this Balu Mahendra filmography keeps tabs on all Balu Mahendra movies, and lets the cream of the crop rise to the top. This is a collection of the best movies directed by Balu Mahendra as voted on by film buffs. Films directed by Balu Mahendra are listed here and include movie posters and Balu Mahendra movie trailers whenever possible. The Sri Lankan Tamil made films in all South languages. I also learned not to imitate others and to be original, to be crazy and mad.List of all movies directed by Balu Mahendra ranked from best to worst with photos. Balu Mahendra, 75, the national award-winning cinematographer and director. We have to know the position of the camera, the purpose of a shot and the various reasons behind the purpose of a shot, the layers inside the film and also the rules of cinema. Are we starting a shot because the actor has started acting? Or are we finishing a shot because the actor has stopped acting? I learned that there is a reason to say “Roll” and “Cut”. Film language is like a descriptive writing form of expression. So the expressions of both mediums are different. I can write certain things which I cannot shoot. Literature is a different medium cinema is different but both share similarities and dissimilarities. We need to have the experience of literature to make good cinema.
We cannot convert literature directly to cinema. Ram: I first learned the distance between literature and cinema. We can speak whatever we feel like saying because this is our homeland. It played a role in his writing and the subjects he chose. He, being a refugee, who makes mainstream cinema, was conscious of his limitations even at the sub-conscious level. Being a Tamilian, he had this discomfort about portraying or showing Tamilian in a negative way because he liked Tamil Nadu, Tamil people, Tamil language and also Kerala. If I had to comment on a Marathi film, I would have to be very cautious. Ram: Yes otherwise we would have seen his anger. He had to make humor, thriller, and action films within the same genre which became both his weakness and strength. So the plots he chose gave him a separate identity. He made Azhiyadha Kolangal based on adolescence. He was also the first person to address the teenage issue. But he is the only person who made an extraordinary political film like Veedu. Similarly, I too would hesitate to make a film based on the Eelam. Most of his films are based on relationships between a man and a woman because he thought that he was living in another country. He had to control his anger because he was a refugee. Even though he is soft and gentle, there is also a fit of anger within him. Ram: I think you should ask each and every one of them separately. But filmmakers coming from his school are furious. Viji is a remembrance for Balu sir.īR: What did you like in Balu Mahendra’s films and what did you learn from him? The reason I am asking you this is because he is a very sensitive filmmaker. So I like to use the names of my close circle. The Balu Mahendra Library, opened just weeks before his seventh death anniversary last month, is housed on the first floor of an old building belonging to a cooperative society. Prabhunath from Taramani was named after my assistant. Mammotty sir’s name in Peranbu is Amudhavan, which is my associate director’s name. I would like to name the characters using names I like or the people I know. In a casual interaction with IANS, he had said: 'So many rare Tamil films couldnt be restored. I liked the name Viji, especially after Moondram Pirai. Balu Mahendras unfulfilled wish was the archiving of Tamil films.